Stereo Thesis Music Gallery: September 2016

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There are two methods of creativity: combining or rearranging existing elements into new structures or inventing elements with which to create forms and structures. One method is related to discovery and extraction whereas the other method is pure creation - bringing into being something from nothing, or thought alone.

So in the first case, the artist is taking existing elements and shaping them into something interesting or unique relative to what others have done with the same set of ingredients or elements.

In the second case, the artist is forming new materials, out of thin air, and putting them together into a unique combination that is specific to their artistic vision. This is the method which was used to form our universe as is believed in the theory of Creationism.

Of the two methods of creativity only the first method or locating materials, extracting them, and arranging them into unique and pleasant forms is what artists on Earth are capable of using in music and sketch.

Color is a quality shared by the sketch and music.

With the sketch the issue of color is primarily with the harmony of color, blending of hues, and shading (relative brightness and darkness).

Similarly, music possesses the quality of color, except in music color can be expressed in timbre, dynamic elements, volume, composition and dramatic performance.

With timbre each instrument or sound in a piece of music possesses a certain quality that helps to identify and define one sound from another. In other words, each instrument has its own voice and can be identified and not mistaken for another.

Closely related to timbre is texture, which is the harmonious (or disharmonious) blending of different types of timbre. Combining a variety of timbres within a composition is what develops a textural soundscape in each piece of music. When musicians layer several instruments or voices with different timbres, what they are in effect doing is constructing texture.

Texture in music comes across either as a visual or tactile sensation. Where we can describe a sound as sharp, piercing, smooth, jagged, rough, dirty, deep, or shiny, then in a crude way we were describing timbre in the form of texture or other tactile qualities.

The harmony or disharmony of the timbre into a pattern of texture is what forms the basis for emotion in a sketch or a piece of music.

With the sketch, texture only becomes apparent when you mix or layer media or when you use a media like acrylic paint or oil paints which are thick relative to other media such as pastels. Texture in the sketch has the effect of literally coming off the page because it can stand up or be thickly applied to paper or canvas. This style is mostly used in fine art painting where the brushstrokes are clearly visible. But in general it’s a physical thing where the artist is turning the two-dimensional image into a three-dimensional object.

Music makes an impression on the ear, while sketch does so in the eye. The thought and care that the artist has poured into their work will finally manifest its clarity and message from the end product across space and time by leaping into the mind of the audience by creating an impression.

If the impression has meaning for the seer or hearer of a sketch or a piece of music, then the impression will rise in status within the mind and evolve into an emotional experience that connects the artwork with a person's outlook on life, their aspirations for the future, and even their emotional history.

Art has the power to inspire others by adding fuel to the desires for the future. Art has the gift of shaping a person's sense of life by becoming an essential accessory to their way of living. Art also carries with it the emotional impact the artist imbues it with and how this interacts with the past of the audience member.

When a sketch or music impresses itself deeply into the mind of the audience member, the impression evolves into emotional impact, which is what the artist is seeking when they decide to share their work publicly.

As the work of the artist approaches completion, where the shape, texture, colors, and objects are balanced or imbalanced within a sketch or in music, the piece undergoes one final test to determine its value and function. If the artwork has the ability to the serve the purpose of the artist by making a deep psychological impression that becomes a meaningful emotional impact which fuses itself into the mind of the individual audience member, then the piece has value and serves its function.