Showing posts with label humor. Show all posts
Showing posts with label humor. Show all posts

Monday, May 15, 2017

Engine no. 28

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GET “SONIC WEAPONS: The Official Stereo Thesis Music Sampler” FOR FREE. To get your FREE full-length album…click here. ____________________________________________________________



A child’s toy, a token of their youth, encapsulates the spirit of what it means to be a kid. Before the duties of becoming an honorable or dysfunctional adult sink into a child’s frame of mind, they can live free and carelessly, since there is little to no liability to the mistakes we make and the time we waste in play. At the outset, our lives can be lived between a wide margin of error with time to recover from our mistakes. But as we have less time to use as we age, that margin of error shrinks and demands that we perform with far less error than we had when we were young.

Our imaginations can run wild and pursue every whim and fancy with wild abandon when we’re kids. No toy is just an object for play but rather a prop in a massive parade or great adventure. As children we are only limited by our imagination, but as adults the imagination is restricted by social norms, the law, and the responsibilities of adulthood. Liabilities become real and all of our actions become measured and cautious.


The essence of what this piece of music, Engine no. 28, has captured is the spirit of fun and fantasy. The speed of the tempo, like a child’s heartbeat, is moving at a quick pace to mimic the pulse of a kid in constant motion. The bass line, low and bouncey, dances like a giant, but friendly teddy bear. The melody has a nursery rhyme quality to it, being simple and repetitive, and easy to remember after just a few iterations. You can even grasp the sensation of turning the big steering wheel of the large tires with twirling bass line arpeggios. Plus, synthesized fire engine noises provide a perfect environment for a fire engine fantasy.

Engine no. 28 is also about that time in all of our lives when we stole pleasure moments for ourselves and invested them in play and imagination. We believed we possessed the power to endow objects with life and did by animating them for our amusement and to impress others. During that time we populated whole cities and fantasized about doing things until the day came when we really could.


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Related Music:



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Marc






Friday, April 14, 2017

The Rat Race

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GET “SONIC WEAPONS: The Official Stereo Thesis Music Sampler” FOR FREE. To get your FREE full-length album…click here. ____________________________________________________________






Time is the measurement of all motion according to a standard. The truth though is that time measures the movement of the Earth around the Sun and this measurement divided into ever smaller increments becomes seconds, minutes, hours, days, weeks, and years. Age too makes its impact on our lives as time affects the condition of our bodies in addition to our use and maintenance or lack thereof. But nothing can prevent our age from catching up with us no matter how well we treat our bodies, over time age, bad habits, poor eating, genetic predisposition, and hygiene, will break down the body and stop it from functioning.

The ticktock of time is accentuated in The Rat Race as it impresses the listener with the silent pressure that clocks and schedules provide to working people. Every second is a moment either invested wisely or wasted, never to return, time lost and never regained. Beginning in an appropriate minimalistic style, The Rate Race quickly adds elements that float around the main minimalistic riff. Without a clear tempo, the listener has to rely on the pulse provided by several song elements such as the downbeat on the multitracked guitars and strumming.



Whether we’re overworked, stressed with the kids, or frustrated with other people and our conflicts with them, life is full of friction and can become unbearable by forcing us to adopt the mindset that we’re in a kind of prison of craziness apparently out of our control. The Rat Race tries to represent this chaos of drama by showing this combination of elements in a cloud of sound that goes in different directions and different speeds. Some elements are slow and relaxed, spaced far apart and reappearing at varying intervals of time unpredictably. While other elements are constant, quick moving, and altering their activity in rapid sequences of change.
















Change too is a factor that calls our attention to time. Basically, time is the change of objects and people through space, which produces time, and as such The Rat Race demonstrates this with all of its sonic components colliding with one another in chance events occurring in an unplanned manner, you know, just like life. How often does it occur where one of our plans are thwarted or come to fruition in a version we had not foreseen? Change is inevitable and events emerge spontaneously as the motion of time waits for no one.

Another interesting feature of time and change is the development of opportunities. As things remain in motion they sometimes align into a fortuitous series of events that benefit us or those around us. Even unfortunate events oddly enough can sometimes push us into circumstances that are not totally harmful. Even in adversity there is much to be gained, a lesson to be learned, and even if a bad thing happens some good can come of it. Sometimes we can anticipate such moments as when we “feel lucky” or somehow interpret a day as possessing a particularly useful quality where things are working for us and not against us, perhaps, a day filled with good omens or signs leading to a positive result on the order of a “sure thing.”




Every day, these factors of time - the motion and change of objects and people into certain alignments forming opportunities - reveal themselves in unique ways, but only to the observant and sensitive individual. The real world Rat Race is filled with so many obstacles and ways to distract ourselves from achieving fulfillment or happiness that it’s not always possible to change our mode of perception to see what opportunities are developing and being presented before us. If we let the stress of everyday life beat us down until our heads are hung low, we may miss the potential of new possibilities in other directions than we normally travel.


The Rat Race was composed with these concepts and images in mind and as music stresses how we use our time and that our use of time is governed by our freedom of choice. To defeat the real world Rat Race it is up to us to choose a new way of living by pursuing what it is that life has to offer and changing something about ourselves, because after all, the world we see is simply a reflection of ourselves. But if we change ourselves, we can literally change the world we see and live in. Seek a new idea, a new way of thinking, or a new way of being and test what it’s like to live like that. What new things and people have been attracted to or repelled from the “new” you? Interestingly, by changing little parts of ourselves we can remake our image of the world and become born again into a new experience of life and break free of The Rat Race.



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Related Music:

The Rat Race


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Marc

https://stereothesis.bandcamp.com/






Wednesday, March 18, 2015

California Gas Pump Tax: “Anger” by Stereo Thesis

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To get your FREE full-length album…click here. ____________________________________________________________




In a state like California, where we’re constantly teeter on the verge of bankruptcy, it’s a shame that so much money gets collected from taxes at the gas pump, but somehow we have a reputation for some of the world’s worst roads and highways. Here’s what the state of California and the federal government takes in from each gallon of gas and what the price of a gallon of gas costs as of February 5, 2015.

Knowing what I know from my experience of driving on the roads in southern California, this tax money should be used to improve road development, expand highways, and change traffic systems to make road travel faster and more efficient. But instead we can be sure that both levels of government are wasting this money for other projects and lining the pockets of their largest political donors.

Living in California is already expensive with its high cost of living, high sales and property taxes, and the highest prices for gas, so isn’t it fun to imagine a cancelation of state and federal taxes on gasoline and a $0.50 reduction in the price of gas. This would make the price of gas $2/gallon the norm. Can you think of how you would use those savings at the pump by reducing or eliminating the gas tax?





Seeing how much money was siphoned off each gallon of gas got me angry and compelled me to write these thoughts down. Anger is a powerful emotion when it’s combined with intelligence and planning because it can inspire others to act and provide direction for a cause.

In terms of music, here’s a track called “Anger” from the album Mixacord by Stereo Thesis that best illustrates how the emotion of anger can be communicated in sound. It’s a short piece, but very effective.

To listen to “Anger” by Stereo Thesis…click here.



Marc
http://stereothesis.com/




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Monday, July 29, 2013

Ventriloquism: Witchcraft or Performance Art?

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Ventriloquism is an act of stagecraft in which a person changes his or her voice so that it appears that the voice is coming from elsewhere, usually an object like puppet or dummy, but in cases of religious ceremony it can be a relic or holy symbol. The act of ventriloquism is also known as the ability to "throw" one's voice. The name “ventriloquism” comes from the Latin for to speak from the stomach, i.e. venter (belly) and loqui (speak).

Originally, ventriloquism was a religious practice. The noises produced by the stomach were thought to be the voices of the unliving, who took up residence in the stomach of the ventriloquist. The ventriloquist would then interpret the sounds, as they were thought to be able to speak to the dead, as well as foretell the future. One of the earliest recorded group of prophets to utilize this technique was the Pythia, the priestess at the temple of Apollo in Delphi, who acted as the conduit for the Delphic Oracle.

The main difficulty the ventriloquists faces is that all the sounds they make must be made with lips slightly separated. For the labial sounds f, v, b, p, and m, the only choice is to replace them with other sounds or letters. A widely-parodied example of this difficulty is the "gottle o' gear,” from the reputed inability of less skilled practitioners to pronounce “bottle of beer.” If variations of the sounds th, d, t, and n are spoken quickly, it can be difficult for listeners to notice a difference. This is a very interesting piece of information because what it means is that the ventriloquist has to visually and in at least 2 ways sonically deceive the audience: 1) visually, to appear not to be speaking, 2) sonically, to make coherent statements using alternate sounds for usual words, and 3) sonically, to make it sound like a voice is originating from another location than himself.

Probably the very first authentic mention in ancient times of ventriloquism is in the First Book of Samuel in the Hebrew Bible, when King Saul goes to the Witch of Endor. In the middle ages, it was thought to be similar to witchcraft, but as spiritualism led to stage magic and escapology, similarly ventriloquism became more of a performance art as it shed its mystical trappings. Interestingly, some mediums may also be extremely talented ventriloquists who use their talent at throwing their voices to hook in suckers and rake in profits by comforting someone in a time of grief. Today talking to the dead has become re-popularized that you can find shows dedicated exclusively to the subject.

Many parts of the world still use ventriloquism for ritual or religious purposes; historically there have been adepts of this practice among the Zulu, Inuit, and Māori peoples. Understanding this you can begin to imagine how certain myths containing talking rocks or trees and even burning bushes might have also been instances of ventriloquism at work. If such was the case we’d have to wonder who it was throwing their voice for the aspiring or reluctant religious leader. Some of the world’s largest religions might have actually begun this way.

The most familiar type of ventriloquist seen today is a nightclub performer sitting on a stool with a wooden dummy on his or her lap. This comedic style of ventriloquism is, however, a fairly recent innovation, which began in the days of vaudeville in the late 19th century. The vaudeville acts did not concentrate on humor as much as on demonstrating the ventriloquist's ability to deceive the audience and his skill in switching voices. To this purpose, many of the performers used multiple figures and switched quickly from one voice to another. No doubt this skill was also used by the ancient practitioners of ventriloquism.


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Related Music:

The Haunting

Dutiful Son

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Related Articles:

Finding Hypnotic Words
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P.S. To support Stereo Thesis with a financial donation, click here.


Marc
http://stereothesis.com/



Tuesday, May 28, 2013

The Perfect Partner: The Artist’s Role in the Creation and Construction of Artificial Human Companions

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DOWNLOAD “SONIC WEAPONS: The Official Stereo Thesis Music Sampler FOR FREE.” To get your FREE full-length album…click here.
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Introduction

An artist is a demanding personality. Their creative impulse is to change existence and invent new realities for others to perceive. Some things presented to us by artists are ugly because they offend our sensibilities, while others are beautiful because they cater to our preferences, but in each case the artist at least tries to present to us something new. The special talent of creative people is to rearrange common elements with which we are already familiar into new combinations or to take existing elements and turn them into new forms. And in some cases, the artist is also a technician or inventor who creates new material and substances with which to create.

In this article, I thought we should look at an extremely specialized form of creativity in the field of human relationships by discussing artificial human companions. To bring us up to a point of understanding I wanted to share with you some of the ideas of Anton LaVey (shown above), particularly his thoughts about the merits of artificiality and on the construction of artificial human companions. I felt that this would be an interesting way of looking at the potential future of human relationships. The creative possibilities of constructing an artificial human companion are already available to us thanks to technology and changing sentiments regarding appropriate and traditional forms of human relationships.

But more importantly, as LaVey says, what underlies the greater acceptance of artificial human companions is the quest of every individual to consciously experience pleasure according to their own discovery and devising. Most of the time people like to think of artificial humans as sex aids (blow-up dolls), domestic helpers (robots), or as the source of human extinction (Terminator and Battlestar Galactica). Here we are going to look at this subject primarily from a creative angle as it relates to actual construction and product features.

The Merits of Artificiality

Let’s begin with the concept of “artificiality” that Anton LaVey presents in his book – “The Devil’s Notebook”:

“Artificiality is a natural and often superior development of intelligent life. Artificiality is more than completely honest; it forestalls disappointment at a thing not being what they appear to be. If you know something is phony from the outset, your imagination can make it as real as needs be. But it does require imagination. Believe it or not, everybody has imagination to some degree. Granted, it doesn't take much imagination to be fooled, either by yourself or someone else. But imagination is taken into the realm of creativity when you infuse the unreal with a reality which will be satisfying.”

This statement has less to do with the reality of the artificial and more to do with the power of imagination to makes things real in our own universe (mind). The only difference between being fooled and being imaginative is knowing that something is or is not fake from the start. He also mentions how it is that people end up in “dreary relationships because they are constantly trying to fool themselves into believing their mate is either more capable or intelligent than he or she really is.” In the sphere of human interactions we normally do not reward others when they lie to us, but we often create rewarding experiences for ourselves when we exaggerate the reality and importance of certain activities such as sports, dancing, and flirting. Whether we are in control of our imagination or if someone else is influencing our imagination, the power to make things appear real to us is solely in our minds.

Personal Motivations for Ideal Companions

We project our emotions of love and happiness onto objects and people. We are fed by these projections. The emotions of love and happiness (or any other emotion) are not in the objects, they come from within – they are self-generated, reflected back to us, and that’s what we feel. Yet how many women seek relationships with men who have little or nothing to offer other than physical presence? And how many men do the same? According to La Vey, “There are few persons who can give me as much pleasure as those acts I perform myself. I would rather create pleasure according to my own whim than be subjected to the whims of others. Invariably, I wind up entertaining others. Or educating them. There is no push/pull. It is only pull, and they do all the pulling.”

The answers to some of the questions raised in this article actually form the basis of the motivation that drives an individual from one relationship to another searching for that perfect partner. Unfortunately, this can only lead to disappointment, because our great expectations, unfulfilled fantasies, and our search for the ideal mate are difficult roles for human companions to live up to. 



La Vey continues his line of thinking by saying, “I find greater companionship in inert figures, animals and speechless artifacts, for I can enjoy their presence and there is no psychic drain. In fact, by their very stimulation in accordance with my tailored ideals, they provide me with not only entertainment, but food for thought.”

Here he identifies 3 very important factors in the life of an artist and other creative people which are avoiding psychic drain, stimulation in accordance with one’s tailored ideals, and food for thought (exchange of ideas). For the most part, creative people tend to seek out objects such as books and art exhibits that can provide food for thought and interesting people who help create opportunities, experiences, and stimulation in accordance with their personal ideals, but with a minimum of psychic drain. All of these factors when combined into a single entity sharply raise the value of the man, women, or object that can possess them. But how few of them there are.

Social Sentiment shifts away from Traditional Forms of Intimacy and Relationships and Approaches the Artificial

Here are a few old and new products and services that are helping to facilitate and change the way people engage in flirtation, courtship, and sex. Each of them possesses the quality of the artificial discussed earlier and exemplifies how the essential element common to all of them is the individual’s need for very specific forms of pleasure and the power of their imagination – coupled with these types of products and services – to make them real.

Examples of Products:

Boyfriend and girlfriend pillows

Blow-up dolls

Sex toys

Adult movies on demand – for immediate download, purchase, or rental

The Mystery Method – seduction techniques to make the pick-up process much more smooth, quicker, and more direct. Developed by authors such as Mystery (star of the VH-1 show “The Pick-Up Artist”, available in DVD), Neil Strauss (author of “The Game”), and the team at Love Systems.

Panty vending machines – a Japanese favorite

Examples of Services:

Rent a friend / girlfriend

Craigslist and Backpage – classifieds for hook-ups, but also featuring the “girlfriend experience” (or GFE, a service provided by a professional or amateur prostitute designed to simulate the boyfriend / girlfriend connection.)

What’sYourPrice.com – bid for a date

Ashley Madison – dating service for married people

Mail-order brides

Match.com – on-line dating service for singles

Table for Six – low-pressure dating service for single professionals

E-Harmony – dating service for conservatives and Christians

Speed dating – dating approach to capitalize on volume, not quality.


What these products and services have done is shorten the process of finding sex partners in terms of time, money, and effort. Moreover, the purpose and focus of each product or service is to assist the customer to fulfill their needs in a much more efficient manner. These products and services have the potential to remove all of the guess work, trial and error, as well as the danger associated with seeking various forms of human companionship.

So, for example, if you use a service like Ashley Madison, a dating service for married people, you know why you’re there, what you’re looking for, and make arrangements to meet with someone who’s willing to fulfill your expectations. Compare this experience with sitting at a bar or lounge trying to lure men or women to nearby motel rooms. Or if you’re looking for a person who’s seriously seeking monogamy, casual sex, or marriage, you can quickly use one of these services or others like them to find what you seek in human companionship.

But what if you could remove the middle man, not use these products and services, but instead build a companion from scratch using a new service that allowed you to create the exact personality software of your perfect partner? In addition, you could also design the physical appearance and material in which the software was housed. So whether you wanted an artificial human companion made to look like a real human being or something a bit more unusual that would be totally up to you. So if such as service existed, would you use it?

Anton La Vey offers these words to help you make your decision:

“Why do I prefer androids to many "real" humans? They never talk back, unless you want them to, yet you can insult them to your heart's content. Androids offer splendid companionship when cast in the physical semblance of human beings.”

“Androids can be created, programmed and utilized exactly according to the master's whims. They require no energy-consuming interaction in order to salve a non-existent ego. Yet even the semblance of an ego can be built into an android via actions and words -- but always according to the Maker's requirements. They can be shelved when they grow tiresome, brought back out when needed, modified in appearance, and destroyed without moral conscience. They are ideal companions.”

In the News: Traditional Forms of Marriage Moving Towards the Artificial in the Middle East

Here is a pair of news stories dated about 8 months apart showing another way in which social sentiment toward traditional forms of intimacy and marriage can shift dramatically towards the artificial when circumstances change. Because of the civil war occurring in Syria, refugees are fleeing to countries like Libya and Jordan to escape the violence. But instead of violence what they are facing instead are exploitive opportunities by Libyan and Jordanian men who are looking for young girls to marry on a short-term basis.

Marriage, in and of itself, is already an artificial institution born out of millennia of necessity and economic survival. Apparently, the situation in Libya and Jordan is so bad, the outlook so poor, and the aid so miniscule that many families are actually accepting these offers as a way of supporting the remaining family members with the money they receive for their daughters in exchange for marriage. What this tells us is that no culture, no matter how restrictive or regulated, is exempt from change.

In the first story, you’ll read about rich Libyan men approaching young Syrian girls to marry them for money. Because many of the families from Syria are penniless they are selling off their daughters to solve the financial distress for the remaining family members. In the second story you’ll read about the situation for these refugees one year later, but in Jordan.

To read about how Libyans are exploiting Syrian women with marriage offers, click here.

To read about Syrian refugees 'sold for marriage in Jordan, click here.                         


Propaganda in Movies and T.V. in Favor of Artificial Human Companions

Along with his many other observations La Vey has noticed that “movies and television have been priming the pump for years for [this] development as inevitable as the automobile or airplane.”




For at least a century with the advent of futurism in literature and the Science-Fiction genre, we’ve seen books, movies, music, and television programs like The Twilight Zone, Star Wars, Buck Rogers, A.I. (Artificial Intelligence), Battlestar Galactica (2006), Gamer, I, Robot, and Surrogates illustrate how society would be if humans and robots co-existed. While each rendition of this same basic theme offers us a new twist, for the most part each work tries to present the benefits and conflicts that would arise in such a society. While it’s outside the scope of this article to discuss all of the finer points of such works, it is well within the scope of this blog’s theme to at least give you a musical example.

Most of us probably remember this song when it was most popular over 10 years ago, but it’s well worth viewing now in this context to see how it’s had an influence in shifting support in favor of artificial human companions.






If you have any problems viewing this video, click here.

Even the car company KIA shows an attractive set of artificial human female companions in one of their new commercials featuring the “Hotbots."

The Technological Features of an Artificial Human Companion

Imagine a partner that literally comes alive when you look at them, who responds solely to your voice, who demands very little of your attention and time, who’s attentive from the very moment you walk in the door, who’s always set to your preferred temperature, who’s programmed to respond only to your voice, who mirrors your personality, who’s free of unpleasant odors, who’s incapable of contracting disease or developing illness, who also never ages unless you want them to appear old, who solely responds to your touch, who’s always full of lively and interesting conversation and information pertinent to your life, and so much more. Can you even begin to imagine a companion who looks the way you want them to, says things in a manner you want them said, does what you want them to do whenever you request it, but doesn’t think, talk back, argue, complain, or resist. Is it a perfect partner or an artificial human companion?




Here are a little more than a dozen technologies that can help you understand how close we are to being able to construct a very sophisticated artificial human. Just try to imagine how these technologies could be integrated to form an entity that suits your needs for companionship.

Security Protocols

Eye (retina) recognition software – security protocol

Fingerprint recognition software – security protocol, responds only to your touch

Facial recognition software – security protocol

Voice activation and recognition software – security protocol

Anti-hacking software – to protect against malware and high-tech criminals

Product Features and Highlights

Prosthetics – breasts, implants, moldings, masks.

Energy efficiency – standby mode

Motion sensors – attentive from the moment you walk in the door

Temperature controlled – cool and warm settings

Dynamic human interaction programming – to profile the user’s personality and to adapt its 
settings to that personality, to form the appearance of a “real connection”

Stain-resistance

Rechargeable batteries – solar, electric, or hybrid

Program encoding

Heat sensors, smoke detectors, and carbon monoxide detectors – responds to environmental 
threats

Hypoallergenic – sanitation

Hydraulics – mating function

Antibacterial surface – sanitation, mating function

Downloading of memories and owner preferences to new bodies – shells

Built-in cellular phone service – advanced activation feature, communication system

4G wireless connection to the web to access the vast reservoir of human knowledge, 
information, and trivia – provides lively and informative conversation specific to your interests and lifestyle choices

These are surely not a complete list of technologies that can be used for the design and manufacture of ideal artificial human companions, but they are an essential list of product features that every artificial companion should be included with, since they are essential to the user. What other technologies can you think of that you would like your ideal companion to be created with or made available as a product feature?

A.I. Robot, a Demonstration

Here’s one example of a robot that’s sophisticated enough to demonstrate how some of these technologies have been used to construct prototypes of ideal artificial human companions. You’ll probably be surprised at how familiar the personality of this robot is to you since it can easily be misconstrued as a relative, friend, professor, lover, or neighbor. Social programming and computer programming for social interaction are not so different from one another. In fact, they are so hard to separate it’s not easy to tell them apart and this robot shows just how difficult it is to identify the differences.

Before you watch the video I just want to bring your attention to a very quick observation. At about 2 minutes into the video a woman talks about how the robots will disappoint us if we are looking for “human connection.” She also asks, “Do we want to make them in such a way that we will love them? Because they will be pretending to love us.”

This is a very interesting comment coming from a woman mainly because I think women tend to be the victims of deception, exploitation, and infidelity more often than men. How often in a woman’s life will she discover that she’s been lied to? Or how many times will it occur that a man will feign a genuine “human connection?” I also think it’s quite common for men and women to sometimes “pretend to love” one another especially when the relationship is strained from conflict or when the love begins to fade. So how different is a human relationship from a relationship with an artificial human companion, really?  



If there are problems with this video, click here


The Office of Human Likeness – A New Government Agency




For the wealthy and celebrities, possession of an artificial human companion could become a status symbol. Remember the early adopters who helped to popularize the cell phone, the computer, and the Internet. The artificial human companion might actually replace or be included among such items as the BMW, Rolex watches, certain brands of designer jeans, and high-end jewelry – a lifestyle accessory for the rich and famous, but soon to be a widespread and popular phenomena. While this and all of the forgoing material in this article have been pluses in favor of artificial human companions, there is still one more issue we should try to cover very briefly.

Unfortunately, there are some legal ramifications that are likely to become part of the discussion for and against the design, manufacture, and sale of artificial human companions similar to those issues concerning celebrity photos, pirated movies, music, and other forms of intellectual property. We’ve all at some time heard about a crime ring that centers on fake Rolex’s, stolen luxury cars, pirated music and DVD’s, and identity theft. But what about the artificial human companion that looks like Beyoncé, Brad Pitt, or President Obama? What laws will be necessary to help protect human likeness from pirated copies of the real thing?



In regard to artificial human companions, their designers, and manufacturers, there will likely be concerns over the right of every person to own, copyright, or trademark their uniquely genetic, biological, or phenol-typical human likeness (image). Like how some public figures have to be sure to control a Twitter account, Facebook page, URL, and other Internet tools in order to protect their name and guard against others who may want to impersonate them on-line, similarly every person on Earth will have to guard against the use of their human likeness in regard to the design and construction of artificial human companions. 




The process can consist of a series of forms and attached photographs of you filed with the proper authorities in cases of infringement. In order to achieve this purpose, I propose a new government agency to be known as the Office of Human Likeness. This office can be established in the same department as that of Copyrights, Patents, or Trademarks and its sole function will be to keep the files of every person who has decided to protect their human likeness against the deliberate or accidental infringement by designers and manufacturers of artificial human companions. I mean, the last thing a girl wants is to imagine what an ex-boyfriend does at night with an artificial human companion he’s had created in her human likeness.

Filing her human likeness with the Office of Human Likeness will protect her from such a humiliating experience by providing her with recourses such as the right to bring a suit to court or the right to collect retroactive royalty payments for the use of her image without her foreknowledge and consent.

Some other salient points in relation to the legal issues involved with artificial human companions and the human images they bare are things like licensing contracts for replication rights (artificial human multiplicity) awarded to designers and manufacturers, crimes committed by artificial human companions, the payment of royalties, lawsuits concerning infringements over human likenesses, prohibiting the sale, transport, and manufacture of artificial human companions with unique human identifiers such as birthmarks and fingerprints.

Conclusion

Now that we’ve covered many of the essential components necessary to a discussion about artificial human companions, their construction, and any legal concerns that would arise from their manufacture and sale, I’d like to made a few final comments.

Earlier I said that the artist is a demanding personality and that their chief talent is rearranging common elements into new combinations or in taking existing elements and turning them into new forms. In the case of constructing artificial human companions, the creative impulse of the artist changes from inventing new realities for others to perceive into designing a companion from which they solely benefit from the pleasure they have manufactured according to their own values and specifications.

Furthermore, the artist can wildly create the artificial human companion with total abandon and without shame because the sensibility they will be seeking to please is their own and not another’s sense of beauty or ugliness. Unlike the art that they are attempting to showcase for the public, the artificial human companion can be a secret creative act and invention that will serve their own preferences in the realm of human relationships.

I hope the ideas of Anton LaVey were insightful and played a role in educating you as to the underlying concept of artificiality that serves as the base for an argument in favor of artificial human companions. Moreover, I thought it would be amusing to try to present the creative possibilities of constructing an artificial human companion in order to communicate how the various features and functions are already available to us thanks to technology.

Lastly, I’ll bet you were somewhat surprised to find out how the media has played a role in shaping our opinions about artificial human companions by consistently portraying images of them before us. Sometimes the images and stereotypes are benign and at other times they are totally horrifying, but either way the images themselves are desensitizing us to their existence, thereby making their future mainstream acceptance into our lives much more possible.

So where do you fall in the discussion on artificial human companions? What are your arguments for or against artificial human companions as an alternative to human relationships?

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Related Music:

Automaton

Toys
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Related Articles:


The Overflow of Creativity: Why Artists Need to Find New Areas to Conquer, New Worlds to Explore

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P.S. To support Stereo Thesis with a financial donation, click here.



Marc